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Mozart's Tempo-System / EPILOGUE
Mozart's Tempo-System / EPILOGUE
Contents
Chapter
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1–12
Titelei/Inhaltsverzeichnis
1–12
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13–28
Tempo-indication in the 18th Century
13–28
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1) Textbooks
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2) The metres and their „natural" tempo
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a) Alla breve metre (¢)
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b) ,Large' four-four time (C) - tempo ordinario
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c) Uneven metres
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3) The smallest relevant note-values
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4) Tempo words
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5) „Church"-, „Theatre"-, „Chamber"-Style
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6) The manners of playing
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7) The execution
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29–254
Mozart's Tempo-System
29–254
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I) Mozart's tempo words
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a) Surviving autographs
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b) Significance, sequence, reference to what?
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II) Mozart's Metres
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A) Church music. The metres of the stile antico
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a) The ,large' alla breve: ¢ (2/1 and 4/2)
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b) The ,small' alla breve: ¢ (2/2)
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c) 3/2 metre
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d) ,Large' C-metre
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B) Secular music. The classical metres
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1) The even metres
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a) The classical (,galant') ¢ (2/2)
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Excursus: Compound metres - The metric of groups of bars
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b) The classical 4/4 metre (2/4+2/4)
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c) The ,short' 4/4 metre
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Excursus: Virtual Changes of Metre
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d) The Recitative Metre
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e) Compound 2/4 (4/8) metre
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f) The simple, „true" (genuine) 2/4
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Excursus: How do even metres relate to each other?
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g) ,Simple' - or ,short' - 6/8 metre
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h) 12/8 (6/8+6/8) metre
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2) The Uneven Metres
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a) the whole-bar ,light' 3/4 metre
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b) the ,Heavy' 3/4 (2/8+2/8+2/8) metre
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c) 3/8 metre
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d) Compound - or ,long' - 6/8 (3/8+3/8) Metre
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e) 3/8- and 6/8 (3/8+3/8) metres, considered together
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C) Mozart's Church Music in the ,New Style'
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a) Church Music in Classical 4/4 Metre
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b) Church Music in Classical 2/4 (4/8) Metre
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c) Church Music in Classical ,heavy' 3/4 Metre (2/8+2/8+2/8)
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d) Church Music in Classical ,light' 3/4 Metre
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e) Church Music in Classical 3/8 Metre
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f) Church Music in Classical 6/8 (3/8+3/8) Metre
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D) Minuets
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a) The Salzburg minuets
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b) The Viennese minuets
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c) The Alleged Prototype
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d) Trios and repetitions
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e) Tempo di Menuetto
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f) From Minuet to Scherzo and Waltz
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E) Dances and Marches
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a) Contre-Dances
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b) German Dances
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c) Ländler - like dances
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d ) Remaining Dances
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e) Marches
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255–255
RESUME
255–255
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256–256
EPILOGUE
256–256
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257–354
APPENDIX
257–354
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Source Texts about Performance Practice (excerpts)
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355–366
BIBLIOGRAPHY
355–366
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367–384
REGISTER
367–384
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Mozart's Tempo-System , page 256 - 256
EPILOGUE
Autoren
Helmut Breidenstein
DOI
doi.org/10.5771/9783828872035-256
ISBN print: 978-3-8288-4291-5
ISBN online: 978-3-8288-7203-5
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doi.org/10.5771/9783828872035-256
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