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Damien Hirst / Titelei/Inhaltsverzeichnis
Damien Hirst / Titelei/Inhaltsverzeichnis
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1–10
Titelei/Inhaltsverzeichnis
1–10
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11–26
1) Introduction
11–26
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a) How does Hirst Depict Consumption?
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b) How is the Term Consumer Culture Used in this Study?
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c) Sources
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27–52
2) Consumption Concepts and their Use in the Present Investigation
27–52
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a) The Term Consumption
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b) Consumerism
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i) The Concept of Consumerism
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ii) Cultural Critique, Critique of Authority and Environmental Criticism
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c) Consumer Society
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i) Narrowing down »consumer society«
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ii) Emergence of Consumer Societies
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d) Consumption and Religion
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e) Consumption in Art History
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i) Marcel Duchamp
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ii) Andy Warhol
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iii) Jeff Koons
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53–78
3) London at the Turn of the Millennium
53–78
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a) London's Cultural Landscape since 1980
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b) Damien Hirst and Young British Artists
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c) What Makes a British Artist in the 1990 s a Young British Artist?
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i) YBAs after 2000
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ii) Blair, BritPop and Cool Britannia
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79–202
4) Damien Hirst
79–202
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a) The »Natural History« Series
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b) »The Golden Calf« (2008)
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i) Material Matters – Animal, Gold and Showcase
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ii) Art auction / happening – »Beautiful Inside My Head Forever«
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c) Butterfly Paintings (1991 – 2008)
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i) »Girls, Who Like Boys, Who Like Boys, Who Like Girls, Like Girls, Like Boys« (2006)
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ii) »Devotion« (2003)
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iii) Fly Paintings and Sculptures (1997 – 2008)
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d) »For the Love of God« (2007)
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e) Spot Paintings (Since 1986)
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i) »One of a Kind« Work of Art or Mass Production? Hirst and Series
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ii) Hirst and the Tradition of Painting
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iii) Drugs, Medicine (Cabinets) and Candy
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iv) Reality and Ritual
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v) Yuppie Art for 'Over the Sofa«? – Spot Paintings in Movies
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vi) The Handling of a Location – White Cube and Museum
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vii) Faith in Medicine and Advertising
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viii) Over-Identification with the Viewer
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203–230
5) Banksy and Damien Hirst
203–230
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a) Street Art – The Rise of Banksy
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b) The Spectacularization of Art
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c) »Keep it Spotless (Defaced Hirst)« (2007)
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d) The Location Reference – Street (and) Art
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231–252
6) Artistic strategies for Dealing with Consumer Phenomena (Conclusion)
231–252
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a) Hirst’s Illusion of Consumer Paradise
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i) The Controlled »Shock«
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ii) Over-Identification and Irony
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b) Images of Images
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c) (Dis-) Placement and Staging
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d) Brands not Products
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e) Advertising
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f) The Viewer-Buyer and Collector as Perfect Consumer
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g) (Im-)Material Things
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253–282
7) Bibliography
253–282
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i) Web Sources Naming an Author
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ii) Web Sources without Naming an Author
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iii) Further Websites
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iv) Printed Newspaper Articles, Essays in Magazines and Interviews
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v) Books and Exhibition Catalogues
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vi) Videos
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283–288
Index
283–288
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Damien Hirst , page 1 - 10
Titelei/Inhaltsverzeichnis
Autoren
Ulrich Blanché
DOI
doi.org/10.5771/9783828867727-1
ISBN print: 978-3-8288-4030-0
ISBN online: 978-3-8288-6772-7
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doi.org/10.5771/9783828867727-1
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